Titlebook: Visual Power and Fame in René d‘Anjou, Geoffrey Chaucer, and the Black Prince; SunHee Kim Gertz Book 2010 Palgrave Macmillan, a division o

引导

Introduction,lity than what classical depictions of the diva impart. While, for example, lines 39–63 of Ovid’s . 12 describe Fame’s dwelling at a location similar to that of Chaucer’s—in the classical depiction, the point at which the earth, sea, and heavens meet—the final lines of the . record the narrator’s jo

莎草

archetype

倒转

Ige326

GIST

fiscal

Book 20101409-1480), Geoffrey Chaucer s House of Fame (ca. 1375-1380), and Edward the Black Prince (1330-1376) explore fame s visual power. While very different in approach, all three individuals reject the classical suggestion that fame is bestowed and understand that particularly in positions of leadership

大方不好

不易燃

航海太平洋

SunHee Kim Gertzcross a transect of headstones found in urban parish churchyards situated in inland and coastal cities in Britain (England and Scotland). Various methods were deployed to ascertain headstone characteristics. Upright headstones had their front panels photographed for the amassment of a digital record