Titlebook: Visionary Closure In The Modern Novel; William R. Thickstun Book 1988 Palgrave Macmillan, a division of Macmillan Publishers Limited 1988

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Blood-Vessels

Visionary Closure and the Embodied Muse,es Joyce’s . (1922), Virginia Woolf’s . (1927), and William Faulkner’s . (1929). In the final section of each of these novels, a woman has a visionary experience that transcends full expression in language and that seems to make possible a concluding affirmation or image of order. Many critics have

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Ideas of Order in ,ing the novel as a whole, anticipated with considerable accuracy the judgement on the ending that most later critics have rendered.. In his influential critical study of Forster, Lionel Trilling voices the general feeling that ‘the nearly allegorical reconciliation is rather forced’, and expresses d

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