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Titlebook: Virtual Weaponry; The Militarized Inte Aaron Tucker Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Militarized Internet.Tra

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发表于 2025-3-21 19:26:26 | 显示全部楼层 |阅读模式
书目名称Virtual Weaponry
副标题The Militarized Inte
编辑Aaron Tucker
视频video
概述Updates the genre of the war film by discussing how the integration of Internet-enabled technologies has changed aspects of the genre, specifically the construction of the enemy, the soldier and comba
图书封面Titlebook: Virtual Weaponry; The Militarized Inte Aaron Tucker Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Militarized Internet.Tra
描述This book examines the convergent paths of the Internet and the American military, interweaving a history of the militarized Internet with analysis of a number of popular Hollywood movies in order to track how the introduction of the Internet into the war film has changed the genre, and how the movies often function as one part of the larger Military-Industrial- Media-Entertainment Network and the Total War Machine. The book catalogues and analyzes representations of a militarized Internet in popular Hollywood cinema, arguing that such illustrations of digitally networked technologies promotes an unhealthy transhumanism that weaponizes the relationships between the biological and technological aspects of that audience, while also hierarchically placing the “human” components at the top. Such filmmaking and movie-watching should be replaced with a critical posthumanism that challenges the relationships between the audience and their technologies, in addition to providing critical toolsthat can be applied to understanding and potentially resist modern warfare..
出版日期Book 2017
关键词Militarized Internet; Transhumanism; Posthumanism; Modern Warfare; War Film; Science Fiction Cinema
版次1
doihttps://doi.org/10.1007/978-3-319-60198-4
isbn_softcover978-3-319-86803-5
isbn_ebook978-3-319-60198-4
copyrightThe Editor(s) (if applicable) and The Author(s) 2017
The information of publication is updating

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发表于 2025-3-22 03:43:31 | 显示全部楼层
Introduction: Virtual Weaponry, periods that overlap with my films of interest (1980–present). From this history, the introduction contextualizes the project within the genre of the war film, focusing on Internet-enabled technologies’ roles within the genre as a whole, using scholars such as Steve Neale, Robert Eberwein, Jeanine
发表于 2025-3-22 04:53:54 | 显示全部楼层
The Hard Technological Body in the Exoskeletal Soldier,ce for both “a type of national character” and “the nation itself.” The “mastery” that the hard body represents is echoed in the equally spectacular hard technological bodies of the exoskeleton-enhanced protagonists of . and .. The hard technological body arises in reaction to the increased globaliz
发表于 2025-3-22 11:47:38 | 显示全部楼层
The Soldier Interfaces on the Digitally Augmented Battlefield,ly dissipated within movies and have instead been replaced by a new model of soldier that is exemplified by the near-literal man-in-the-middle suits of the . films and the duo-wielded cyberconnected Jaeger pilots in .. Different from the hard technological body, the suits present an entirely differe
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The Civilian Soldiers of Cyberwarfare,tary has used to completely abstract war into distanced data points begin to be repurposed by civilian users and turned back upon the American State War Machine as a means to combat and expose that very military machinery. Recent films, such as ., . and ., present civilian protagonists that effectiv
发表于 2025-3-23 03:29:58 | 显示全部楼层
Book 2017 a number of popular Hollywood movies in order to track how the introduction of the Internet into the war film has changed the genre, and how the movies often function as one part of the larger Military-Industrial- Media-Entertainment Network and the Total War Machine. The book catalogues and analyz
发表于 2025-3-23 06:25:01 | 显示全部楼层
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