Titlebook: Virginia Woolf’s Influential Forebears; Julia Margaret Camer Marion Dell Book 2015 Marion Dell 2015 Virginia Woolf.Modernism.Literary Criti

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Halfhearted

,‘Take my lens. I bequeath it to my descendents’: Julia Margaret Cameron,n anecdote in . and develops the joke in .. She thus overtly constructs Cameron, like Ritchie, as a figure of fun, belittling, mocking and patronising her, while obliquely acknowledging her status by intertextual affiliation.

Memorial

,Introduction: ‘Born into a Large Connection’,escent, exhibiting both nostalgia for, and affiliation with, her past; but simultaneously trying to reject, suppress and obscure its influence. She constructs an unresolved dialogue between her past and her present, figured through her divided persona ‘two people, I now, I then’ (75).

抓住他投降

maladorit

,‘Let us be our great grandmothers’: Heredity and Legacy in ,ne after another across the sky’ (.: 4). This trope both enacts continuity and recurs, with the interconnected figures of the lighthouse and the telescope, throughout her work, wheeling through ., ‘The Searchlight’, . and into ..

ironic

Obsessed

一再遛

,‘The Transparent Medium’: Anny Thackeray Ritchie,unacknowledged source’ of information about the Victorian age and ‘the transparent medium through which we behold the dead’ (E3: 18). Woolf also claims that ‘Young writers might do worse than go to Lady Ritchie’s pages for an example of the power of an apparently simple and yet inevitably right sens

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法律