Titlebook: Virginia Woolf‘s Essays; Sketching the Past Elena Gualtieri Book 2000 Palgrave Macmillan, a division of Macmillan Publishers Limited 2000 b

MANIA

Professing Literature, women’s access to the profession of literature for which Woolf is best known. Throughout her career, from her beginnings as a reviewer to her most famous feminist essays, writing for money always represented for Woolf the mark of professionalisation, a legitimation of women’s ‘scribbling’ into an a

流浪者

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Images of History,wo books share a consistent preoccupation with the question of writing English literary history from a position that is inflected by sexual difference. This preoccupation is articulated in both texts through the notion of androgyny, even though . and . differ significantly in their interpretation of

冷漠

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Book 2000ulated her understanding of the workings of literary history. In this innovative study, Elena Gualtieri analyses in detail the intersection between essays and sketches in Woolf‘s non-fiction as part of a far-reaching argument about the scopes and models of feminist criticism, its understanding of th

ADAGE

Introduction: Virginia Woolf, European Essayist, by hostile reviews, Woolf returned to Bennett’s comments in a diary entry of June 1923, where she set out to ‘say something about my writing’ (. 2, 248) following her reading of extracts from Katherine Mansfield’s journals in the introduction to . (1923).

parasite

Eccentric Histories,d books. She wrote personal essays on the death of her dog and on laughter, reviews of Jane Carlyle’s letters and Henry James’s essays, an obituary of Caroline Emelia Stephen, her ‘Quaker’ aunt, and the review of a ‘how-to-do’ manual for aspiring young writers, reviews of biographical studies and of ‘light’ contemporary novels.

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不断的变动

https://doi.org/10.1057/9780230599147bibliography; biography; essay; etching; Europe; fiction; history; history of literature; intellectual histo