Titlebook: Virginia Woolf; A Literary Life John Mepham Book 1991 Palgrave Macmillan, a division of Macmillan Publishers Limited 1991 fiction.novel.Vir

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书目名称Virginia Woolf影响因子(影响力)




书目名称Virginia Woolf影响因子(影响力)学科排名




书目名称Virginia Woolf网络公开度




书目名称Virginia Woolf网络公开度学科排名




书目名称Virginia Woolf被引频次




书目名称Virginia Woolf被引频次学科排名




书目名称Virginia Woolf年度引用




书目名称Virginia Woolf年度引用学科排名




书目名称Virginia Woolf读者反馈




书目名称Virginia Woolf读者反馈学科排名

有害

John Mephamdikaler Modernisierung bis zur Bewahrung vertrauter Strukturen einnehmen. Der Regelfall aber sind eigentümliche Mischungen beider Momente (vgl. Matthiesen 1998a). Das Feld lokaler Politik, als Aushandlungsort und Vermittlungsebene zwischen individuellen und gesellschaftlichen Interessen, bietet eine

拾落穗

Champion

,1925–27: Modernist Fictions, in this case. Virginia Woolf’s modernism, in this decade, has much in common with the modernist ’formalism’ of the Bloomsbury painters. Its main features are these. First, a self-consciousness about the categories and conventions of art. She could not write fiction without being aware of the artifi

Lobotomy

Parallel

,1932–37: The Outsider, Bloomsbury ways of thinking about her work. She turned her attention more towards the recording of what she thought of as ’non-being’, and away from the lofty, mystical aspirations of .She became less concerned with formal elegance and poetic beauty and more with the comedy and absurdity of everyda

GRAIN

,1938–40: Life-Writing,multaneously. Her will to write never faltered until perhaps the very last month of her life. Each of these works is different in conception both from anything she had ever written before and from each other. She still took each new project, whenever she could, as an opportunity to refashion the con

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