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Titlebook: Violence and the Limits of Representation; Graham Matthews (Lecturer),Sam Goodman (Honorary F Book 2013 Palgrave Macmillan, a division of

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发表于 2025-3-21 17:54:46 | 显示全部楼层 |阅读模式
书目名称Violence and the Limits of Representation
编辑Graham Matthews (Lecturer),Sam Goodman (Honorary F
视频video
图书封面Titlebook: Violence and the Limits of Representation;  Graham Matthews (Lecturer),Sam Goodman (Honorary F Book 2013 Palgrave Macmillan, a division of
描述Violence and the Limits of Representation explores the representation of violence in literature, film, drama, music and art in order to demonstrate the ways in which the work done by researchers in the Arts and Humanities can offer fresh perspectives on current social and political issues.
出版日期Book 2013
关键词drama; film; violence
版次1
doihttps://doi.org/10.1057/9781137296900
isbn_softcover978-1-349-45191-3
isbn_ebook978-1-137-29690-0
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 2013
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,‘Skeletons of Solid Objects’: Imperial Violence in J.G. Farrell’s ,,Empire’ trilogy.. In the Empire trilogy Farrell seeks to explore the degraded circumstances of the British nation state in the 1970s by drawing attention to three key historical moments in the construction of modern Britain.
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Objects of Surprise: Violence, Security, and Metaphysics,ts, this provokes an abstract assertion. After all, what does security actually secure? Does security actually do anything apart from be bothered by insecurity? This implies that it is insecurity which supports security, because, quoting Sützl, it exists ‘without an outer boundary, it never encounters a place where it has completed its mission’.
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The Violence of Representation and the Representation of Violence,iolence of representation’. The interventions of theory suggest that instead of remaining at the level of the representation of violence, we have to consider that a form of violence is intrinsic to the very act of representation itself. Theory, which refers to those positions that were inspired by p
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