Titlebook: Vietnam Images; War And Representati Jeffrey Walsh (Principal Lecturer in English),Jame Book 1989 Palgrave Macmillan, a division of Macmill

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,‘The Real Thing’: New Images of Vietnam in American Comic Books,. Gradually the influence of Vietnam moved from the background of some of these texts to the foreground, notably by the use of a recurring formula: the return-to-Vietnam or ‘missing in action’ story. A variation of this type of story has been used by all the examples mentioned above, and it also forms the basis of the second Rambo film, ..

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The Vietnam Veterans Memorial: Ideological Implications,ective concept developed over a relationship of a quarter century. I was projecting a concept of a military model that was now outdated. I cannot plead that the transformation had occurred in the six-year period since I had left the military. In fact, some of my own writing reflects suggestions of such a change.

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The Vietnam Veterans Memorial: Authority and Gender in Cultural Representation,ld be the ‘typical’ war monument: ‘Defy the typical motif by situating the slab sunken, sucking air for meaning.’ Roberts envisioned an archlight beaming across the Mall, illuminating a monumental crater, ‘the ashes of 50,000 John Does … scattered in the bottom’.

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Introduction,ssons that perhaps informed us of the heroic Minutemen and of valorous deeds at Valley Forge are likely to construct our responses to the War of Independence, while we may associate the Indian wars with Custer’s exploits at Little Big Horn. Possibly, in the latter case, a film starring Errol Flynn a

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American Paramilitary Culture and the Reconstitution of the Vietnam War,nation in 1945, the United States backed British and French troops in their effort to regain control. From 1946 to 1954 the United States supported France in its colonial war to crush the Vietnamese independence movement, the Vietminh; after 1950 it paid 80 per cent of France’s costs. After the Fren

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American Myths and the Impact of the Vietnam War: Revisionism in Foreign Policy and Popular Cinema as most writers on the subject have suggested. In the short term, of course, the war, in conjunction with other vital currents in American society in the 1960s and 1970s, engendered a severe dislocation in both domestic and international politics; and in popular culture the impact of the war was re