Titlebook: Victorian Gothic; Literary and Cultura Ruth Robbins,Julian Wolfreys Book 2000 Palgrave Macmillan, a division of Macmillan Publishers Limite

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vision of notions of the Gothic in all its manifestations. The Gothic is found to haunt all aspects of Victorian literature and culture. Moreover, Victorian Gothic connects its disparate areas of research in returning repeatedly to the question of the constitution of the subject, in a study of the V

Mere仅仅

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,Resurrecting the Regency: Horror and Eighteenth-Century Comedy in Le Fanu’s Fiction,carceration of one character in a prison of illusion, the walls of which are kept up until the last minute so that the audience can savour the confusion of the victim, even if our laughter is a recognition of an icy current welling up through the play’s comic fabric at this point.

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,The ‘Anxious Dream’: Julia Margaret Cameron’s Gothic Perspective,tmare, anticipates the horrific narrative which will follow and foreshadows Leonora’s own grim fate. Thus, when William fails to return with the other knights, the young woman succumbs to despair and ignores the stoical Christian reasoning offered by her mother,

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Evocative

Mary Elizabeth Coleridge, Literary Influence and Technologies of the Uncanny,srupting the relationship with the dominant precursor poet, the critic slips back into essentializing the dynamic as a monolith: Mary Elizabeth Coleridge is always the outsider, the slave to the master-male poet.

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敌意

,‘I wants to make your flesh creep’: Notes toward a Reading of the Comic-Gothic in Dickens,ere is a transition in the nature of the gothic from the end of the eighteenth century to the middle years of the nineteenth century, it is marked by an inward turn perhaps. There is an internalization to be considered not so much as a denial of the gothic as it is a form of intimacy. In writing of

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