Titlebook: Victorian Fiction: Writers, Publishers, Readers; John Sutherland Book 1995 Palgrave Macmillan, a division of Macmillan Publishers Limited

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书目名称Victorian Fiction: Writers, Publishers, Readers网络公开度学科排名




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书目名称Victorian Fiction: Writers, Publishers, Readers被引频次学科排名




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书目名称Victorian Fiction: Writers, Publishers, Readers年度引用学科排名




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书目名称Victorian Fiction: Writers, Publishers, Readers读者反馈学科排名

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, Hard Cash ,ing of these was Dickens’s . which he erected on the remains of . after his break with Bradbury and Evans, in 1858-9. From the first Dickens’s independent journal was supremely successful. ‘Our success here,’ wrote W. H. Wills, . assistant editor, ‘has exceeded the most sanguine expectations. One hu

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Eliot, Lytton, and the Zelig Effect,entieth-century history: with Lenin before the storming of the Winter Palace, on the podium at the Nuremberg rally with Hitler, with Freud behind the couch as he makes his great discovery about psychoanalysis. But, mysteriously, history (outside the film) has never recorded Zelig’s existence. Poster

小故事

The Way We Live Now,odification.. By examination of the manuscript material of . this chapter aims to revise the vulgar misconception (to some extent projected by the author himself) of Trollope’s working methods.. In the model which emerges, Trollope would seem faithfully to have observed his own maxim that ‘to think

异常

Miss Bretherton, Miss Brown, and Miss Rooth,s, it is safe to say, start by imitation. Most never break through the initial bondage to the style of others. Mary Ward (. Arnold, better known to posterity as Mrs Humphry Ward)—the niece of Matthew Arnold and the aunt of Aldous Huxley—knew, almost from her earliest conscious moment, that she was b

medium

The Victorian Novelists: Who were they?,nd generalizations about ‘the Victorian novel’ (which are common enough) are often hobbled by their being restricted in range of reference to the dozen writers designated as ‘major’ by the .—writers whose extraordinary literary distinction renders them necessarily unrepresentative. Despite fifty yea

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Plot Summaries,nal artful lapse into ‘I narration’ Henry is the supposed bastard son of Thomas Esmond. In fact, Thomas married the Flemish girl who was Henry’s mother and the boy is legitimate although he is not aware of the fact. Thomas Esmond inherits the estate of Castlewood and is created Viscount. Henry is ap

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