Titlebook: Victorian Environmental Nightmares; Laurence W. Mazzeno,Ronald D. Morrison Book 2019 The Editor(s) (if applicable) and The Author(s) 2019

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Pip’s Nightmare and Orlick’s Dreamd another version of himself, the monsters we create when we attempt to deny our own porous and necessary relationship to the living environment. Orlick represents for Pip the terrifying prospect of what the eco-theorist Stacy Aliamo has termed “transcorporeality”—the idea that the individual person

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James Thomson’s Desertshuman extinction. The argument draws principally on apocalyptic motifs and on Thomson’s engagement with Victorian Egyptology in his melancholic masterpiece . (1874). These tropes illustrate a progressive marginalization of the human that culminate in the curious late poem “A Voice from the Nile” (18

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“Tragic ring-barked forests” and the “Wicked Wood”: Haunting Environmental Anxiety in Late Nineteentlation in the shaping, care, and curation of the existing landscape has become clear. However, this connection between First Nation people and care for country was seldom perceived or acknowledged in the nineteenth century. More often, fiction of the period reveals a more dubious metaphorical connec

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“Rivers Change Like Nations”: Reading Eco-Apocalypse in the threat of a great river run dry. Forerunner to the modern ecological disaster plot, the novel dramatizes the apocalyptic impact upon a local community when a river is “taken into bondage,” impounded and diverted to power an acetylene factory and an “electric railway” (174). With this impending d

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Disaster and Deserts: Children’s Natural History as Nightmare and Dreamd in the peaceful landscape of southern England, so past truths expressed in imaginative genres may erupt into scientific observation and inductive reasoning. Kingsley’s efforts do not maintain the literal truth of the Bible in a fundamentalist sense, however. Warning against the dangers of the “Tre

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