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Titlebook: Vampires on the Silent Screen; Cinema’s First Age o David Annwn Jones Book 2023 The Editor(s) (if applicable) and The Author(s), under excl

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发表于 2025-3-21 17:18:30 | 显示全部楼层 |阅读模式
书目名称Vampires on the Silent Screen
副标题Cinema’s First Age o
编辑David Annwn Jones
视频video
概述This first exploration of silent vampire films which totally re-configures the history of horror cinema.Provides new approach to Nosferatu revealing link to network of prior vampire films with roots i
丛书名称Palgrave Gothic
图书封面Titlebook: Vampires on the Silent Screen; Cinema’s First Age o David Annwn Jones Book 2023 The Editor(s) (if applicable) and The Author(s), under excl
描述This book is the first study of the vampires in silent cinema, presenting a detailed academic yet accessible discussion of the films themselves and their sources. For the very first time, The Fire Elemental from the Wharton brothers’ .The Mysteries of Myra. (1916) is identified as cinema’s original vampire, his appearance initiating a rich and variegated period of film production that is currently missing from studies of horror cinema. Exciting and ground-breaking, .Vampires on the Silent Screen .also discusses .Drakula Hal.á.la / Dracula’s death. (1920), the first ever filmic female vampire in Erich Kober’s .Lilith and Ly. (1919), and the Dracula lookalike, Count Merlin in Alexander Korda’s. Magic. (1917) as well as many other productions. A socio-cultural framework with critical highlighting of eco-horror theory is used throughout to draw these unique discoveries together. This project is a must read for any horror enthusiasts out there.
出版日期Book 2023
关键词vampire; horror; demon; occult; First World War; Gothic
版次1
doihttps://doi.org/10.1007/978-3-031-38643-5
isbn_softcover978-3-031-38645-9
isbn_ebook978-3-031-38643-5Series ISSN 2634-6214 Series E-ISSN 2634-6222
issn_series 2634-6214
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
The information of publication is updating

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发表于 2025-3-21 23:17:01 | 显示全部楼层
,The Cinematic Vampire 1896–1922: Vampire Bats and Vamps and Thieves,ead censorship and litigation in shaping the first forms of vampires to emerge in early cinema cultures are revealed. The paranormal investigator, Hereward Carrington’s specific knowledge of occult and ‘psychic detective’ sources is shown as key to the production of the first vampire film.
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,F. W. Murnau’s ,nections of . and shows how, once these resonances are fully appreciated, the universe evoked in the film is far more threatening and vast than has been previously understood. The chapter also supplies a salient eco-horror reading of these silent vampire films.
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发表于 2025-3-22 17:21:30 | 显示全部楼层
,The Cinematic Vampire 1896–1922: Vampire Bats and Vamps and Thieves,ctaculars into the  films of Georges Méliès and other early directors. Paradigms for recognising viable vampire figures are explored and the possibilities of locating their presences in the first movies featuring devils, monsters and fairy-tale motifs. Vampire dances, both in and out of cinema, are
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