Titlebook: Valuing Films; Shifting Perceptions Laura Hubner (Senior Lecturer in Film and Media St Book 2011 Palgrave Macmillan, a division of Macmilla

笔记

书目名称Valuing Films影响因子(影响力)




书目名称Valuing Films影响因子(影响力)学科排名




书目名称Valuing Films网络公开度




书目名称Valuing Films网络公开度学科排名




书目名称Valuing Films被引频次




书目名称Valuing Films被引频次学科排名




书目名称Valuing Films年度引用




书目名称Valuing Films年度引用学科排名




书目名称Valuing Films读者反馈




书目名称Valuing Films读者反馈学科排名

anesthesia

AWRY

Sense and Sensibilities: The Value of Coherence in the Contemporary Twist Filml concept. My contention here is that, for a number of expressive critics, the notion of coherence has come to represent a practical means of evaluating the nature of a film’s achievements and, in turn, establish the quality of those achievements. Twist films become a point of interest in such debat

尽忠

cancer

Getting Animated — Valuing Animefan study, I foreground enthusiasts’ comments, collected via an online questionnaire of open and closed questions. But I intend not to divorce the text from such accounts, arguing, as Annette Kuhn does, that along with what spectators say, we should treat ‘historical and film textual materials … dis

HEAVY

Authenticity, Popular Aesthetics and the Subcultural Politics of an Unwanted Blockbuster: The Case oichael Bay-directed live-action . (2007) movie were both heated and imaginative. Such debate was centred on the premise that a reworking of what was once a favourite childhood cartoon series and toy range challenged the fans’ own authentic appreciation of a franchise to which they had remained loyal

surrogate

结果

Audience Appreciation of Nigerian Films (Nollywood)cts. The need to deconstruct familiar practices is even stronger when they are steeped within cultures, as viewing films is. What does it mean to choose a film and not another? How important is the context of viewing — where and with whom does viewing occur? How are films read (contrary to what text

建筑师

Charlatan

‘The Many Ways of Looking at Cinema’: , and the Value of Filmides an historical overview of the profession and makes many apposite observations with regard to the whole notion of valuing, and evaluating, film. Referring to Graham Greene’s perception of the critic in an article from the magazine in 1936, James notes:.There is an implicit challenge there, enoug