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Titlebook: Urban Landscapes and National Visions in Post-Millennial South Korean Cinema; From Seoul to Soul Gemma Ballard Book 2023 The Editor(s) (if

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书目名称Urban Landscapes and National Visions in Post-Millennial South Korean Cinema
副标题From Seoul to Soul
编辑Gemma Ballard
视频video
概述A comprehensive academic study of urban place, space and national identity in contemporary South Korean cinema.An in-depth look at the representation of Seoul on screen and its rendering of a unique K
丛书名称East Asian Popular Culture
图书封面Titlebook: Urban Landscapes and National Visions in Post-Millennial South Korean Cinema; From Seoul to Soul Gemma Ballard Book 2023 The Editor(s) (if
描述.This book explores South Korean cinema’s inimitable relationship with the urban landscape and identifies the ways in which Seoul is utilised as a celluloid canvas, national artefact and, above all else, a distinctive cultural backdrop. Using five different approaches to urban space, from five distinctive and contrasting theoretical perspectives, Urban Landscapes in Post-Millennial South Korean Cinema investigates and seeks to understand why the cinematic representation, identity and presence of Seoul have been central to the preservation and recognition of the South Korean film industry as an independent, autonomous and nationally unique institution..
出版日期Book 2023
关键词South Korean cinema; Cities in cinema; Seoul in film; National cinema; South Korean popular culture; Sout
版次1
doihttps://doi.org/10.1007/978-3-031-29739-7
isbn_softcover978-3-031-29741-0
isbn_ebook978-3-031-29739-7Series ISSN 2634-5935 Series E-ISSN 2634-5943
issn_series 2634-5935
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
The information of publication is updating

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https://doi.org/10.1007/978-3-031-29739-7South Korean cinema; Cities in cinema; Seoul in film; National cinema; South Korean popular culture; Sout
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The Psycho-geographical City,ow national identity is interrogated in the city space and how the concept of ‘Korean-ness’ remains a complex and, at times, contentious issue, particularly in the age of rapid modernisation and globalisation. The chapter begins by broadly examining the two-way, interdependent relationship between t
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The Generic City,o account aspects of genre and narrative, and considers how these might be undermined or subverted by specific Korean inflections, national approaches or processes of localisation. The films discussed in detail are Kang Je-Gyu’s . (1999), Bong Joon Ho’s . (2006) and Yeon Sang Ho’s . (2016)—as they a
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