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Titlebook: Unfettering Poetry; Fancy in British Rom Jeffrey C. Robinson Book 2006 Jeffrey C. Robinson 2006 John Keats.lyric.poetics.poetry.Romanticism

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Cursory Observations on Poetry and Cheerfulness (with an excursion on rhyming tetrameter couplets)idered more superficial, more temporary, and less fundamental than melancholy. At best, as when Anna exhorts her son, melancholy from exile in Siam, to “whistle a happy tune,” cheerfulness is a brave defense against the more basic condition. But Emerson demands cheerfulness of a true democracy, upgr
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A Poetry of Mind: The Della Cruscans, Mary Robinson, and the Fancy at the Time of the French Revolutm, mother, fine actress and novelist and poet, crippled during her last and very productive decade; one who presented herself through many pseudonyms (or, as Heidi Thomson has called them in the term of Portuguese Modernist poet Fernando Pessoa, heteronyms); a poet who wrote in many poetic genres an
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“Affectionate Eternity”: Leigh Hunt and the Poetics and Politics of the Fancy in the introduction, that history presents itself as a continuity, a persistence. By turning from the Della Cruscans and Mary Robinson to Leigh Hunt, I am charting that persistence between “early” and “late” British Romanticism: the presence of the Fancy as a visionary poetics persists between the
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The Fancy: From Poetry to Boxing and Backnd who compiled in 1824 a superb anthology not only of British poetry from Chaucer but also of the first selection of “Living Poets,” and the Hazlitt who wrote one of the greatest journalistic essays in English, “The Fight” (1822). The juxtaposition and combination of disparate literary activities i
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William Hazlitt’s Poetics of the Fancy in His ,: A Cockney Anthology, Ied to as ., for all its considerable heft, its double columns of poems, and its 822 pages, nonetheless, once one knows its strange publication history, leaves one contemplating a vanishing object. It exists as much in inference. Facts, however, suggest that it did happen; copies of the anthology exi
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