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Titlebook: Unconformities in Shakespeare’s Tragedies; Kristian Smidt Book 1990 Kristian Smidt 1990 bibliography.kingdom.policy.tragedy.William Shakes

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Work in Progress: Timon of Athens,completion are too plentiful for the conclusion to be in doubt. To my knowledge only one scholar, Rolf Soellner, has offered a full-scale defence of the extant play as an achieved artefact, including detailed discussion of textual problems and reference to a well-documented moral— philosophical back
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Julius Caesar : the Making of a Diptych, by different ideals and philosophies but performing similar or related parts on the stage of the world. It was after studying Plutarch’s . that he juxtaposed Brutus and Caesar, Brutus and Cassius, Brutus and Antony, and Portia and Calphurnia in a play which itself is a two-part working-out of both a personal and a political antithesis.
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Pride and Policy, most perfectly structured of all Shakespeare’s tragedies: ‘the most unified and symmetrical’ in the words of the Penguin editor, who has the backing of a wide consensus in holding that ‘the source of its unity is the intense concentration on the figure of Coriolanus himself’.. Bullough, too, has few reservations with regard to structure:
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