Titlebook: UNESCO, Cultural Heritage and Conflict in Yemen, Syria and Iraq; Joanne Dingwall McCafferty Book 2023 The Editor(s) (if applicable) and Th

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,UNESCO’s Legal Obligation and Capability to Protect Cultural Heritage During Armed Conflict,, as well as institutions such as museums, archives and libraries. The introduction of the 1954 Hague Convention for the Protection of Cultural Property in the Event of Armed Conflict, which mentioned UNESCO on 37 occasions, places the organisation at the centre of the cultural heritage protection d

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The State Heritage Institutions of Yemen, Syria and Iraq, fully funded and operational state heritage institution. Unfortunately, such institutions responsible for heritage management in Yemen, Syria and Iraq, have been severely under-funded and under-resourced in recent years. This has consequently led to their lack of ability to meet their basic obligat

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,UNESCO’s Emergency Response “First-Aid” to Cultural Heritage Sites, of armed conflict. In recent years, many UNESCO heritage interventions across Yemen, Syria and Iraq could be construed as “preventative” if carried out in the pre-conflict phase, yet they instead took place during conflict. Such interventions should therefore be categorised emergency response “firs

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,UNESCO’s Reconstruction of Cultural Heritage Sites, recovery initiatives to reconstruct historic structures and districts. When engaging in such initiatives, UNESCO’s policy is to ensure an integrated people-centred and place-based approach. The situations across Yemen, Syria and Iraq present different stages and forms of conflicts; with Iraq being

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Book 2023nd reconstruction efforts post-conflict. The book employs document analysis to ascertain UNESCO‘s legal obligations when it comes to facilitating cultural heritage protection in its Member States‘ territories in the condition of armed conflict, while drawing comparisons with the reality of the organ

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Conclusions,nd Iraq, as well as UNESCO’s 2015 strategy paper, this chapter summarises the significant discrepancies between UNESCO’s capabilities both financially and politically and the vision it has for itself.