| 书目名称 | Transnational European Cinema | | 副标题 | Representation, Audi | | 编辑 | Huw D. Jones | | 视频video | | | 概述 | Explores how audiences in contemporary Europe engage with films from other European countries.Draws on admissions data, surveys, and focus group discussions that go beyond traditional textual analysis | | 丛书名称 | Palgrave European Film and Media Studies | | 图书封面 |  | | 描述 | .This book explores how audiences in contemporary Europe engage with films from other European countries. It draws on admissions data, surveys, and focus group discussions from across the continent to explain why viewers are attracted to particular European films, nationalities, and genres, including action-adventures, family films, animations, biopics, period dramas, thrillers, comedies, contemporary drama, and romance. It also examines how these films are financed, produced, and distributed, how they represent Europe and other Europeans, and how they affect audiences. Case-studies range from mainstream movies like .Skyfall., .Taken,. .Asterix & Obelix: God Save Britannia., and .Sammy’s Adventures: A Turtle’s Tale. to more middlebrow and arthouse titles, such as .The Lives of Others., .Volver., .Coco Before Chanel., .The Girl with the Dragon Tattoo., .Intouchables,. .The Angels’ Share., .Ida., .The Hunt., and .Blue Is the Warmest Colour.. The study shows that watching European films can sometimes improve people’s understandings of other countries and make them feel more European. However, this is limited by the strong preference for Anglo-American action-adventures that offer few | | 出版日期 | Book 2024 | | 关键词 | European Film; Audiences; Reception Studies; Film Industry; Transnational Film; Mainstream Film; Arthouse | | 版次 | 1 | | doi | https://doi.org/10.1007/978-3-031-44595-8 | | isbn_softcover | 978-3-031-44597-2 | | isbn_ebook | 978-3-031-44595-8Series ISSN 2634-615X Series E-ISSN 2634-6168 | | issn_series | 2634-615X | | copyright | The Editor(s) (if applicable) and The Author(s) 2024 |
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发表于 2025-3-21 18:48:51
