| 书目名称 | Theatre, Globalization and the Cold War | | 编辑 | Christopher B. Balme,Berenika Szymanski-Düll | | 视频video | | | 概述 | Offers a multi-faceted new way of understanding Cold War theatre through a transnational lens.Takes a multi-disciplinary approach to analysing international relations during the Cold War.Draws on excl | | 丛书名称 | Transnational Theatre Histories | | 图书封面 |  | | 描述 | This book examines how the Cold War had a far-reaching impact on theatre by presenting a range of current scholarship on the topic from scholars from a dozen countries. They represent in turn a variety of perspectives, methodologies and theatrical genres, including not only Bertolt Brecht, Jerzy Grotowski and Peter Brook, but also Polish folk-dancing, documentary theatre and opera production. The contributions demonstrate that there was much more at stake and a much larger investment of ideological and economic capital than a simple dichotomy between East versus West or socialism versus capitalism might suggest. Culture, and theatrical culture in particular with its high degree of representational power, was recognized as an important medium in the ideological struggles that characterize this epoch. Most importantly, the volume explores how theatre can be reconceptualized in terms of transnational or even global processes which, it will be argued, were an integral part of Cold War rivalries. | | 出版日期 | Book 2017 | | 关键词 | transnational theatre; global history; cold war theatre; communist theatre; cultural representation; gove | | 版次 | 1 | | doi | https://doi.org/10.1007/978-3-319-48084-8 | | isbn_softcover | 978-3-319-83895-3 | | isbn_ebook | 978-3-319-48084-8Series ISSN 2946-5893 Series E-ISSN 2946-5907 | | issn_series | 2946-5893 | | copyright | The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl |
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发表于 2025-3-21 19:29:52
