| 书目名称 | The State of Post-Cinema | | 副标题 | Tracing the Moving I | | 编辑 | Malte Hagener,Vinzenz Hediger,Alena Strohmaier | | 视频video | http://file.papertrans.cn/921/920349/920349.mp4 | | 概述 | Addresses circulations of the moving image in the global experimental cinema underground.Raises important questions surrounding the economic and legal aspects of image circulation in an age of digital | | 图书封面 |  | | 描述 | This book approaches the topic of the state of post-cinema from a new direction. The authors explore how film has left the cinema as a fixed site and institution and now appears ubiquitous - in the museum and on the street, on planes and cars and new digital communication platforms of various kinds. The authors investigate how film has become more than cinema, no longer a medium that is based on the photochemical recording and replay of movement. Most often, the state of post-cinema is conceptualized from the "high end" of the most advanced technology; discussions focus on performance capture and digital 3-D, 4-K projection and industrial light & magic. Here, the authors‘ approach is focused on the "low-end" circulation of filmic images. This includes informal networks of exchange and transaction, such as p2p-networks, video platforms and so called “piracy” with a special focus on the Middle East and North Africa, where political and social transformations makenew forms of circulation and presentation particularly visible.. | | 出版日期 | Book 2016 | | 关键词 | cinema; film; post-cinema; circulation; new media; transnational cinema,; world cinema | | 版次 | 1 | | doi | https://doi.org/10.1057/978-1-137-52939-8 | | isbn_ebook | 978-1-137-52939-8 | | copyright | The Editor(s) (if applicable) and The Author(s) 2016 |
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