书目名称 | The Queer Cultures of 1930s Prose | 副标题 | Language, Identity a | 编辑 | Charlotte Charteris | 视频video | | 概述 | Explores queer lives through ?literary texts, letters, diaries, autobiographical writings and works of cultural commentary.Includes analysis of so-called ‘queer heterosexual’ authors of the period alo | 图书封面 |  | 描述 | Offering a radical reassessment of 1930s British literature, this volume questions the temporal limits of the literary decade, and broadens the scope of queer literary studies to consider literary-historical responses to a variety of behaviours encompassed by the term ‘queer’ in its many senses. Whilst it is informed by the history of sexuality in twentieth-century Europe, it is also profoundly concerned with what Christopher Isherwood termed ‘the market value of the Odd.’ Drawing, for its methodology, on the work of Raymond Williams, it traces the impact of the Great War on the development of language, examining the use of ten ‘keywords’ in the prose of Christopher Isherwood, Evelyn Waugh and Patrick Hamilton, and that of their respective literary milieux, in order to establish how queer lives and modern sub-cultural identities were forged collaboratively within the fictional realm. By utilizing contemporary perspectives on performativity in conjunction with detailed close readings it repositions these authors as self-conscious agents actively producing their own queer masculinities through calculated acts of linguistic transgression.. | 出版日期 | Book 2019 | 关键词 | Queer cultures; Queer lives; Interwar writing; Interwar Britain; Long 1930s; Christopher Isherwood; Evelyn | 版次 | 1 | doi | https://doi.org/10.1007/978-3-030-02414-7 | isbn_ebook | 978-3-030-02414-7 | copyright | The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl |
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