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Titlebook: The Poison at the Source; The Female Novel of Penny Brown Book 1992 Palgrave Macmillan, a division of Macmillan Publishers Limited 1992 20

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书目名称The Poison at the Source
副标题The Female Novel of
编辑Penny Brown
视频videohttp://file.papertrans.cn/917/916691/916691.mp4
图书封面Titlebook: The Poison at the Source; The Female Novel of  Penny Brown Book 1992 Palgrave Macmillan, a division of Macmillan Publishers Limited 1992 20
描述An examination of a number of English women novelists who portrayed the crises and conflicts in the development of the female consciousness as a response to the anomalies of the rapidly changing world of the early twentieth century when opportunities for self-expression and fulfilment were beginning to open up for women but nineteenth-century values and prejudices still widely prevailed. May Sinclair, Radclyffe Hall, Rosamond Lehmann, Antonia White and Dorothy Richardson are seen as outspoken and innovative writers often marginalised or ignored by serious criticism.
出版日期Book 1992
关键词20th century; bibliography; conflicts; consciousness; English; knowledge; novel; twentieth century; women
版次1
doihttps://doi.org/10.1057/9780230373167
isbn_ebook978-0-230-37316-7
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 1992
The information of publication is updating

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Book 1992 to open up for women but nineteenth-century values and prejudices still widely prevailed. May Sinclair, Radclyffe Hall, Rosamond Lehmann, Antonia White and Dorothy Richardson are seen as outspoken and innovative writers often marginalised or ignored by serious criticism.
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as a response to the anomalies of the rapidly changing world of the early twentieth century when opportunities for self-expression and fulfilment were beginning to open up for women but nineteenth-century values and prejudices still widely prevailed. May Sinclair, Radclyffe Hall, Rosamond Lehmann, A
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The Decline of Catholicity in the West,ung hergestellt isw. Dieser . ist insofern nicht weiter verwunderlich, als die betreffende Situation primär als Fernsehrezeption gerahmt ist und nicht als gemeinsames Gespräch. Zu viel reden würde es unmöglich machen, das Fernsehgeschehen — in unterschiedlichen Graden aufmerksam — zu verfolgen. Umge
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