书目名称 | The Forms of Michael Field |
编辑 | LeeAnne M. Richardson |
视频video | |
概述 | Explores the lives and work of Michael Field, the poetic identity created by Katharine Bradley and Edith Cooper.Shows how their use of genre and form relates to their modes of self-creation, as well a |
丛书名称 | Palgrave Studies in Nineteenth-Century Writing and Culture |
图书封面 |  |
描述 | Michael Field, the poetic identity created by Katharine Bradley (1846-1914) and her niece Edith Cooper (1862-1913), ceaselessly experimented with forms of identity and forms of literary expression. .The Forms of Michael Field. .argues that their modes of self-creation are analogous to their poetic creations, and that exploring them in tandem is the best way to understand Michael Field’s cultural and literary importance. Michael Field deploys a different form in each volume of their lyric poetry: translations of Sappho, ekphrasis, songs, sonnets, and devotional verse. They also appropriate and revise the dramatic genres of verse tragedy and the masque. Each of these experiments in form enable Michael Field to differently address the cultural questions that beset late-Victorian women writers. Drawing on the insights of new lyric studies and new formalism, this book analyzes Michael Field’s continual quest for the aesthetic forms that best express their evolving ideas about identity and sexuality, gender and sacrifice, lyric voice and authority. |
出版日期 | Book 2021 |
关键词 | Gender; Sexuality; Katharine Bradley; Edith Cooper; Pseudonym; Pen name; Male authorial identity; Femininit |
版次 | 1 |
doi | https://doi.org/10.1007/978-3-030-86126-1 |
isbn_softcover | 978-3-030-86128-5 |
isbn_ebook | 978-3-030-86126-1Series ISSN 2634-6494 Series E-ISSN 2634-6508 |
issn_series | 2634-6494 |
copyright | The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl |