Titlebook: Syphilis; A Short Biography Andrew P. Zbar Book 2022 The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer N

苦笑

Notable Victimhood: Syphilis and the Arts, The artistic legacy of Syphilis lay in the face of Rembrandt’s favourite pupil Gerard de Lairesse whose coarse features, his saddle nose, bossed forehead and thick lips are textbook traits of a congenital syphilitic. The images of the Belgian artist Félicien Rops show Syphilis as a deadly temptress holding the scythe of the Grim Reaper (.).

strdulate

Fortuitous

,Fracastoro’s Poem and the Origins of Illness,d or whether it was a pre-Columbian disease. What defined its intimate association with humans and how did it genetically acquire its propensity to manifest in different continents as yaws, pinta, bejel and in the folklore of remote villages as far apart as Siberia, sub-Saharan Africa and Tierra del Fuego?

Occipital-Lobe

Syphilocentricity in Brief: Disease in the Post-HIV Era,c testing, contact tracing and the development of a Zauberkügel. Syphilis has, however, been the least politicised of the 3 diseases and less derailed by those forces seeking to deny the role of science.

晚间

y of effective treatment as well as its unethical denial of .Syphilis is an illness with mythology. The story of its origin, dissemination and treatment have all been mired in confusion, a mix of reality and quackery. I have tried to put the organism as the principal protagonist of the story, firmly

concubine

Book 2022e been social and a result of prejudice towards its victims. This may explain why it is once again on the global rise in places where access to the most basic antibiotics remains limited. This book uniquely considers the sociological sequel of infection, the wider influence extending beyond the physical that has become its legacy. .

注射器

The Protean Manifestations of Disease,ders of the spinal cord (.) and a remarkable presentation of madness (.). The other social impact was the group of congenital syphylitics who grew up as what the French called the . and who were thought the greatest risk of infecting the élite intelligentsia.

使显得不重要

Choreography

客观

978-3-031-09773-7The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl