Titlebook: Swift; A. Norman Jeffares Textbook 1968Latest edition Macmillan Publishers Limited 1968 Britain.eighteenth century.history of literature.l

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,Swift’s , (1935),a ‘little language’ for one or two to understand, is as much a necessity as a breath of air in a hot room. The reserved, the powerful, the admired, have the most need of such a refuge. Swift himself found it so. The proudest of men coming home from the company of great men who praised him, of lovely

Robust

M. B., Drapier (1954),nted William Wood, an English iron merchant, a patent to make copper money for Ireland to remedy the shortage of small coins there. A protest arose in Ireland against what was considered the introduction of a debased coinage into the country. Early in 1724 Swift entered the scene and wrote eight maj

天文台

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不连贯

,Gulliver’s Voyage to the Houyhnhnms (1951),e culmination of Swift’s lifelong attack on the pride of man, especially the pride which convinces him that he can live by the light of his unaided reason, the pride that Swift himself sums up, in the title of one of his imaginary discourses in ., as ‘An Universal Rule of Reason, or Every Man his ow

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共同时代

,Swift’s Historical Outlook (1965),ation and configuration of his historically founded beliefs been clarified and documented. The present study will attempt to explain in some detail Swift’s ideas of history, where he got them, and how they affected his non-historiographical compositions.