Titlebook: Surveillance, Architecture and Control; Discourses on Spatia Susan Flynn,Antonia Mackay Book 2019 The Editor(s) (if applicable) and The Aut

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Graydon Wetzlerain. It considers the reciprocal relationship between political legitimacy and developments in science and culture, and explores the ‘nationalization’ efforts in Spain in the 1940s and 1950s, via the complex process of transmitting narratives of national identity, through ideas, representations and

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plinary account which examines how architecture and the builThis edited collection examines the culture of surveillance as it is expressed in the built environment. Expanding on discussions from previous collections; .Spaces of Surveillance: States and Selves. (2017) and .Surveillance, Race, Culture

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Exercising Control at the Urban Scale: Towards a Theory of Spatial Organisation and Surveillance through the self-constructed narratives of De Certeau’s walker to the digitally ‘enhanced’ individual today, appropriating space via technology and their own projects in tinder and so on, and other potentially subversive media.

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One Grey Wall and One Grey Tower: The Bates World in Alfred Hitchcock’s other hand, a motel by definition is a shelter for outsiders. The chapter focuses on how the characters are created and destroyed by this choreography of watching and being watched within Hitchcock’s constructed dystopic spaces of the film.

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Surveillance, Sousveillance, and the Uncanny Domestic Architecture of ure but, more sinisterly, in topological and symbiotic collusion with it. . suggests that our virtual selves have lives of their own, existences realised through self-surveillance, identities “housed” within forms of architecture that uncannily unsettle conventional notions of self, place, and home.

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