Titlebook: Suicide in Modern Literature; Social Causes, Exist Josefa Ros Velasco Book 2021 Springer Nature Switzerland AG 2021 Suicidology.Suicide in

Ointment

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夹死提手势

Suicide and the Interpretation of Modernity: Edith Wharton’s Early Fictionss the figure of the witness to suicide. In so doing, her writing casts critical light on the paradoxical consequences of turn-of-the-twentieth-century efforts to legitimize suicide and to discover in suicide forms of modern authenticity.

贪婪性

Suicide Across the Waves: On the Feminist Possibilities of Dramatic Suicide in Plays by Susan Glaspeapter examines the reasons that lead female protagonists to commit suicide and how this can be transferred to wider political claims that women were/are making at the time. Necessarily, this essay takes into account the theatrical and dramatic techniques employed to make audiences see suicide not ju

BORE

The Gendering of Suicidal Agency in Jeffrey Eugenides’ de is more than human, because that which is human depends on nonhuman materiality. I also argue that the feminine, traditionally interpreted as reactive and passive in suicide, is in fact agentic. The chapter begins by discussing the cultural context of interpreting gender, which influences how the

Hemoptysis

, , and ,, , and ,: Fantasies of Love, Loss, and Desire in Joyce Carole Oates’ Fictional Account of tanding of the deleterious effects upon this young woman’s psychological development in the absence of healthy prolonged attachments and in the intense suppression, shame, and perhaps even fear, of her true identity. As Oates fictionalizes the life of Marilyn Monroe, she provides keen insights into

Indelible

Suicide Is Not for the Poor: Self-Death in Veristi Authors, Luigi Capuana and Giovanni Verga and . (1901) by Luigi Capuana and the novels . (1865) and . (1875) and the short story “L’ultima giornata,” in the collection . (1883), by Giovanni Verga. It aims to analyze suicide as an option for wealthy people in ., ., and . and as an existential one for poor people in . and “L’ultima giornata.

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Jubilation

: Marx and Durkheim on Suicide and Social Good(s)makes out of life a class of belonging which ownership is in social dispute. For the former, it is in the very essence of the suffocating modern social relations and circumstances of production where we can find the apparent cause that explains Peuchet’s statistical account. A better society would l

唤醒

Desire of Death, Suicide, and Salvation: Problems with Eternity in Miguel de Unamunoividual (if possible) will vertebrate the first part of this research. I will also consider Unamuno’s conception of the hero as . and by the concept of transcendental egotism. Naturally, the assumptions that Unamuno inherits from authors such as William James will be duly explained here. Secondly, I