Titlebook: Style and Sense(s); Linda Pillière,Sandrine Sorlin Book 2024 The Editor(s) (if applicable) and The Author(s), under exclusive licence to S

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Painting a World Before Language Using Language: A Cognitive Stylistic Analysis of Synaesthetic Metathetic effect in the poem. The significance of this chapter lies in its (a) ability to ascertain the auditory, visual and kinaesthetic dimension in the conceptualisation of literary experience of the poem, (b) attempt to apply stylistics to insights from previous linguistic studies of synaesthesia (

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Remaking the Sense(s) in Sumana Roy’s ,: A Stylistic Analysis a fresh idea of sensation, affecting touch, sight and hearing, which reconceptualises and recalibrates human life by means of non-standard collocations, synaesthetic metaphorical patterns, and other rhetorical devices..Drawing on ecolinguistics, ecostylistics, and metaphor studies (Gavins, .. Edinb

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Putting Some Flesh on Sensory Language: An Experiential Approach to Style. 1. Cambridge, MA: The MIT Press, 2000) may be consciously activated to create a transformative reading experience for all. The proposed verbal and kinetic activities are based on authentic stylistic material taken from the source text. The “reader-performer” engages in coordinated interactions wit

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Book 2024ory, Text World Theory) and is applied to various genres (poetry, novels, short stories, detectivefiction, restaurant reviews) and media (the oral vs written tradition, ekphrasis, and semiotic transfers). This book will be of interest to students and academics in stylistics, cognitive linguistics, d

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lished scholars.Makes a valuable contribution to the broad i.This edited volume celebrates cutting-edge research in stylistics and, more specifically, recent work on sense and the senses. The title originated in the Poetics and Linguistics Association (PALA) 2022 conference and marks the 40th onsite

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“The Mt Everest of Dining Experiences”: Multisensory Style in Restaurant Reviewseir reviews, how they evoke the senses and use figurative language, and how they use rhetoric for various reasons. In sum, we try to show how reviewers verbally portray their multisensory experience in convincing and creative ways.