Titlebook: Style and Sense(s); Linda Pillière,Sandrine Sorlin Book 2024 The Editor(s) (if applicable) and The Author(s), under exclusive licence to S

软膏

Introduction: Enacting Style and Sense(s),est and distance maintained from one another, the volume must be read as a celebration of our senses through style. It highlights the recent corporeal turn across disciplines which gives pride of place to the body as grounding base, showing how it enters language and the role it plays in sense-makin

BARK

The Representation of Experience in Modernist Fiction all aspects of sensory experience and all levels of consciousness. I argue that the report of action, typically assigned to the narrator as external observer and reporter (Toolan, ., London, Routledge, 2001), acquires a subjective dimension that can position it as part of Free Indirect Style, the s

cliche

PAC

The Sense of the Sense of Smell in Virginia Woolf’s anguage, and writing. One of the stylistic characteristics of the mock-biography is the importance it confers to smells, which is all the more interesting as smells are a rare topic in literature and are notoriously difficult to talk or write about. Adopting a dog’s point of view allows Woolf to byp

优雅

“The Mt Everest of Dining Experiences”: Multisensory Style in Restaurant Reviewshe genre’s stylistic features, in this chapter we aim to examine those features in several dozen restaurant reviews. We study how authors structure their reviews, how they evoke the senses and use figurative language, and how they use rhetoric for various reasons. In sum, we try to show how reviewer

Jingoism

“You see, but you do not observe”: Sensory Manipulation and Sense-Making in the Sherlock Holmes Detees of plot manipulation. Sir Arthur Conan Doyle sometimes presents descriptions at the set-up and investigation stages of these stories which appear credible, but which are actually unreliable, missing key details, or misleadingly focused. Such deficits in reporting evidence in detective stories can

FILTH

Experiencing Mind Style: From Iconicity to Sensory Simulationfelt, embodied or sensed experiences of fictional characters..One explanation for how the experience of mind style comes about describes it as an enactment arising from iconicity. Lugea (Dementia Mind Styles in Contemporary Narrative Fiction. . 31(2): 168–195, 2021) proposes that iconicity is an ess

推测

Painting a World Before Language Using Language: A Cognitive Stylistic Analysis of Synaesthetic Meta stylistic approach. In the poem, the Indian poet exploits verbal language using the phenomenon of linguistic synaesthesia to depict a world before the development of verbal language. By examining the aesthetic sensory appeal in the poem, using lexical-semantic-grammatical interaction and the nature

VOC

Budget