Titlebook: Street Scenes; Late Medieval Acting Sharon Aronson-Lehavi Book 2011 Palgrave Macmillan, a division of Nature America Inc. 2011 concept.dial

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书目名称Street Scenes影响因子(影响力)




书目名称Street Scenes影响因子(影响力)学科排名




书目名称Street Scenes网络公开度




书目名称Street Scenes网络公开度学科排名




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书目名称Street Scenes被引频次学科排名




书目名称Street Scenes年度引用




书目名称Street Scenes年度引用学科排名




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书目名称Street Scenes读者反馈学科排名

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Concepts of Performance in ,,ance that create an effective experience? What are the specific needs and characteristics of “religious theatre”? How does such theatre conceive of actor/character dialectics, especially in the distinctive case of enacting holy figures? That is, how is the very place that actors . in this kind of th

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978-1-349-37399-4Palgrave Macmillan, a division of Nature America Inc. 2011

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https://doi.org/10.1057/9780230118119concept; dialectic; epic; Medieval Literature; medieval period; Middle Ages; performance; theatre

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Conclusion, theory of the mystery plays are sophisticated and complex and express an enactment aesthetic that rests upon the dialogic nature of theatre and performance. Rather than concealing the theatrical mechanism medieval religious theatre celebrates its dual reference.

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Street Scenes: Epic Acting, Total Acting, and Performance,illingness to create a mimesis based on similarity, a merging of the performing and the performed, the governing aesthetic sought the opposite. In other words, the objective was to emphasize, rather, the duality of the two, for which purpose a variety of theatrical conventions were used.

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