Titlebook: Stochastic Discrete Event Systems; Modeling, Evaluation Armin Zimmermann Book 2008 Springer-Verlag Berlin Heidelberg 2008 Performance Model

哑巴

偶像

young men that were to populate the pages of Elizabethan erotic narrative poems and like the fair youth of Shakespeare’s . — ‘Describe Adonis, and the counterfeit/Is poorly imitated after you’ (53.5) — the effeminate good looks of Shakespeare’s Adonis, coupled with his reluctance to engage in hetero

Seminar

讽刺滑稽戏剧

GRIPE

ween commercialism, nationalism, and personal tastes was highlighted. The chapter on personal banking offered a portrait of the rational calculating personality developed by individuals in modern Chinese society. The third chapter, on the modern Chinese housewife, showed how the expectations of this

Flatus

skin provide a support for symbolic activity, say in the context of medieval viewing or reading practices or by virtue of its deployment as a judicial penalty? When, conversely, does it operate only as an abject, material residue? As Sarah Kay has demonstrated in a series of recent articles, mediev

寡头政治

of others touches us. We can touch the things we read, and, as medievalists, some of the things we read really are skin. We are even talking more and more about the fact that parchment is skin.. Yet we’re not talking much about what this reading . like, even though touching manuscripts can yield val

POWER

addressing what it argues is a near-general omission of nonhuman animals, and an implicit anthropocentrism, in discussions on narrative empathy. Much work on empathy and literature understandably focuses on characters, but does so through assumptions that these are human and therefore often consider

天文台

debble

es about and approaches to South Vietnam literature and jourThis edited book examines how South Vietnam’s (formerly the Republic of Vietnam 1955-1975) literary and journalistic writers were perceived and - potentially - influenced by Western thought, led by thinkers such as Jean-Paul Sartre, Franz K