Titlebook: Star Actors in the Hollywood Renaissance; Representing Rough R Daniel Smith-Rowsey Book 2013 Palgrave Macmillan, a division of Macmillan Pu

Radiofrequency

书目名称Star Actors in the Hollywood Renaissance影响因子(影响力)




书目名称Star Actors in the Hollywood Renaissance影响因子(影响力)学科排名




书目名称Star Actors in the Hollywood Renaissance网络公开度




书目名称Star Actors in the Hollywood Renaissance网络公开度学科排名




书目名称Star Actors in the Hollywood Renaissance被引频次




书目名称Star Actors in the Hollywood Renaissance被引频次学科排名




书目名称Star Actors in the Hollywood Renaissance年度引用




书目名称Star Actors in the Hollywood Renaissance年度引用学科排名




书目名称Star Actors in the Hollywood Renaissance读者反馈




书目名称Star Actors in the Hollywood Renaissance读者反馈学科排名

guardianship

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织物

Mundane

https://doi.org/10.1057/9781137310392bibliography; history; history of literature; Hollywood; Renaissance; Romanticism; tradition

Astigmatism

re promoted and understood as alienated and ironic everymen, and exerted a powerful, and until now unexplored, influence over a movement often considered the richest in Hollywood‘s history.978-1-137-31039-2

积云

Dustin Hoffman: The Artistic Star,r in his films, his ancillary discourse, and the movement more generally. As much as any actor, Hoffman established the Rough Rebel star image: not conventionally handsome, white-ethnic, committed to and excelling at performance, careerist, liberal but not radical, and privileging male-male relationships over male-female relationships.

连词

Conclusion,iod were frequently dominated by their versions of alienation, by their ironic reactions to that alienation, and by their dismissive attitude toward women. Hoffman, Nicholson, and Gould, to a heretofore unexamined degree, made these films what they were, and prevented them from being something else.

宠爱

re promoted and understood as alienated and ironic everymen, and exerted a powerful, and until now unexplored, influence over a movement often considered the richest in Hollywood‘s history.978-1-137-31039-2

半导体

How to Represent a Rough Rebel,pearing in suggestive close-up and adorned by a headline that read “The Young Actors: Stars and Anti-Stars.” The article, written by Stefan Kanfer, Jay Cocks, and Carey Winfrey, positioned Hoffman and Farrow as nothing less than Hollywood’s best response to the counterculture. It read:

重叠

How to Represent a Rough Rebel,t . cover photograph, dated February 7, 1969, featured not a world leader, astronaut, or international conflict, but Dustin Hoffman and Mia Farrow, appearing in suggestive close-up and adorned by a headline that read “The Young Actors: Stars and Anti-Stars.” The article, written by Stefan Kanfer, Ja