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Titlebook: Staging and Performing Translation; Text and Theatre Pra Roger Baines (Lecturer in French and Translation S Book 2011 Palgrave Macmillan, a

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发表于 2025-3-21 18:58:18 | 显示全部楼层 |阅读模式
书目名称Staging and Performing Translation
副标题Text and Theatre Pra
编辑Roger Baines (Lecturer in French and Translation S
视频video
丛书名称Cultural Criminology
图书封面Titlebook: Staging and Performing Translation; Text and Theatre Pra Roger Baines (Lecturer in French and Translation S Book 2011 Palgrave Macmillan, a
描述This exploration of the territory between theory and practice in contemporary theatre features essays by academics from theatre and translation studies, and delineates a new space for the discussion of translation in the theatre that is international, critical and scholarly, while rooted in experience and understanding of theatre practices.
出版日期Book 2011
关键词drama; essay; language; opera; stage; theatre
版次1
doihttps://doi.org/10.1057/9780230294608
isbn_softcover978-1-349-31003-6
isbn_ebook978-0-230-29460-8Series ISSN 2947-8464 Series E-ISSN 2947-8472
issn_series 2947-8464
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 2011
The information of publication is updating

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发表于 2025-3-21 20:52:36 | 显示全部楼层
Staging and Performing Translation978-0-230-29460-8Series ISSN 2947-8464 Series E-ISSN 2947-8472
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Brecht’s , for the National Theatre: a 3p Opera?After opening in Canterbury in October 2002, a production of . (.) by the Education Department of the National Theatre went on a thirteen-venue tour, before returning to the Cottesloe Theatre in February 2003.
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The Politics of Translating Contemporary French Theatre: How ‘Linguistic Translation’ Becomes ‘Stage‘We are extremely exposed, almost naked. We exist exclusively via language, we can’t cling onto anything else.’ Actors Christophe Brault and Jean-Paul Dias, who performed in the French première of . by Noëlle Renaude, state (2005, p. 17) that the main feature in the play is language. Not character, plot, or issue, but language.
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The Translator as ,, with Reference to , [,] by Maurice Maeterlinckrk. In . the director, accustomed to teasing out the uncertainties of new work in the presence of the playwright, finds himself working on a production of Farquhar’s 1706 play ., and sets out an epistolary account of his daily process of creating a performance text on the basis of a culturally remote and necessarily incomplete play text.
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Roundtable on Collaborative Theatre Translation Projects: Experiences and Perspectivesultime-diality’ conference held at the University of East Anglia Drama Studio in Norwich, UK. The roundtable was conceived as a spontaneous discussion between practitioners working in the field of international drama, without access to prepared papers.
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2947-8464 ion studies, and delineates a new space for the discussion of translation in the theatre that is international, critical and scholarly, while rooted in experience and understanding of theatre practices.978-1-349-31003-6978-0-230-29460-8Series ISSN 2947-8464 Series E-ISSN 2947-8472
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Cultural Criminologyhttp://image.papertrans.cn/s/image/875592.jpg
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Book 2011This exploration of the territory between theory and practice in contemporary theatre features essays by academics from theatre and translation studies, and delineates a new space for the discussion of translation in the theatre that is international, critical and scholarly, while rooted in experience and understanding of theatre practices.
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