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Titlebook: Staging Shakespeare at the New Globe; Pauline Kiernan Book 1999 Pauline Kiernan 1999 stage.theatre.William Shakespeare.British and Irish L

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2634-5919 the way Shakespeare intended his plays to be seen? Written by the Leverhulme Fellow appointed to study and record actor use of this new-old playhouse, here is the first analytical account of the discoveries that have been made in its important first years, in workshops, rehearsals and performances.
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The Space of the Audiencere-created, as it has been at the reconstructed Globe on Bankside, prompts re-examination of the actor—audience relationship, and a reconsideration of the question: ‘Where were the boundaries of the fiction in the public amphitheatres of the early modern period?’
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Preparing the Play for the Globe Spaceurr) to cut about 20 per cent of the play.. The aim was to make cuts of roughly equal length from each act/scene/ Chorus as a means of reducing performance time — in keeping with the production’s ‘authentic brief’ (see ‘Research’ section below). Reference was made to the First Folio in the decision-
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