Titlebook: Staging Shakespeare at the New Globe; Pauline Kiernan Book 1999 Pauline Kiernan 1999 stage.theatre.William Shakespeare.British and Irish L

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本能

HAUNT

Taking the Play on to the StageOn 20 May 1997 the play was taken on to the Globe stage for the first time; this was the first day of technical rehearsals of the play.

惰性女人

Revelations and DiscoveriesPeter Brook’s description of the power of what he called ‘rough theatre’ to conjure up a whole complex fictional world for an audience that becomes gripped by it and yet remains aware that it is listening to a story finds a parallel in the experience of . playgoers at the Globe.

chastise

费解

https://doi.org/10.1057/9780230380158stage; theatre; William Shakespeare; British and Irish Literature

愤慨一下

Dramatic Illusion in the Open Playhouseheir belief in the dramatic reality of a tiny living presence expressing the primal emotions of fear and hunger. The babies in the audience, however, simply responded to the sounds of a human adult impersonating a baby, and ‘believed’ it was the call of a fellow infant.

Extort

Preparing the Play for the Globe Spacemaking process. Research fellow Pauline Kiernan was consulted about the cuts made in Act 5. It was decided to leave the Epilogue completely intact, and not to cut 20 per cent as planned after discussions about its significances for the overall meaning of the play.

连词

2634-5919 It shows how actors, directors and playgoers have responded to the demands of ‘historical‘ constraints (and unexpected freedoms) to provide valuable new insights into the dynamics of Elizabethan theatre.978-0-333-66273-1978-0-230-38015-8Series ISSN 2634-5919 Series E-ISSN 2634-5927

终端

Introductionand goats’ hair by means of a technique that goes back to the year 2400 BC. Actors and directors in the first seasons were describing the theatre space as ‘raw’, ‘strange’, ‘exciting’, ‘energizing’, ‘dangerous’, ‘new’, ‘.’.