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Titlebook: Staging Romantic Chameleons and Imposters; William D. Brewer Book 2015 Palgrave Macmillan, a division of Nature America Inc. 2015 performa

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,James Kenney’s Opportunistic, Reformative, and Imitative Chameleons,tion of “a very decent, but rather elaborate diddle” featuring “A middle-aged gentleman” who “has the whole air … of your well-to-do, sober-sided, exact, and respectable ‘man of business,’ .—one of the stern and outwardly hard, internally soft, sort of people that we see in the crack high comedies.”
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Epilogue: The Perkin Warbeck Debate,nturers flocked to his cause. His claim to the English throne was also supported by Maximilian, the King of the Romans, and James I V, King of Scotland, who “introduced him to the [Scottish] nobility and gave him as wife Lady Catherine Gordon, daughter of the first earl of Huntly, who was [the king’
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Nineteenth-Century Major Lives and Lettershttp://image.papertrans.cn/s/image/875587.jpg
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https://doi.org/10.1057/9781137387196performance; reform; Romanticism; time; William James; British and Irish Literature
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Introduction,nineteenth centuries in England. During this period, chameleonism evoked both anxieties about depersonalization and social instability and fantasies regarding empowerment and self-fashioning. Human chameleons blurred boundaries between human and reptile, upper and lower class, master and servant, fe
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