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Titlebook: Staged Transgression in Shakespeare‘s England; Rory Loughnane,Edel Semple Book 2013 Palgrave Macmillan, a division of Macmillan Publishers

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The Taming of the Jew: Spit and the Civilizing Process in ,of the various brutalizations of Shylock. .. Even ambiguous, or to many readers of Shakespeare innocent, dramatic moments, such as the account of Antonio’s spitting on and kicking of Shylock in the Rial to, fill me with rage.. For readers and audiences of Shakespeare’s ., Antonio’s spitting on Shylo
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,‘Edgar I Nothing Am’: Blackface in ,l, theoretical, and performative avenues.. Yet critics tend to rely on a handful of plays that have explicitly racialized characters when they approach the topic: Aaron, Shylock, Caliban, Cleopatra, and the omnipresent Othello. Sometimes scholars turn to slightly less obvious racialized figures, lik
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Speaking Out of Turn: Gender, Language and Transgression in Early Modern England,said, and the . of the speaker. I am going to argue that sexually suggestive speech (or bawdy) is a crucial part of the negotiation of relationships between the sexes, and that it also maps (onto) social and power hierarchies. Crucially, bawdy is a category of speech that places female speakers as t
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,‘Nothing but pickled cucumbers’: the Longing Wives of Middletonian City Comedy,f. But in Middleton’s culture as in our own, ‘odd’ feeding is not terribly surprising and is even to be condoned in women who are pregnant, thanks to what early moderns would call their ‘longings.’ Thus, the pregnant Mistress Allwit in A .longs for nothing but pickled cucumbers and [her lover’s] com
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Lady Macbeth and Othello, Convention and Transgression in Early Modern Tragedy,f ruthless ‘masculine’ political pragmatism. She takes the lead in goading Macbeth to crimes that he initially shirks away from.. She transgresses the divine scheme of the world that she inhabits by instigating the murder of the divine and fatherly Duncan,. and again in her ending, by apparently com
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,‘On the most Eminent seate thereof is Gouernement Illustrated’: Staging Power in the Lord Mayor’s Sor of theatre. Moreover, the Shows amply demonstrate what this volume calls the ‘innate theatricality’of the governing practices of the early modern metropolis.. It is this juxtaposition of theatricality and modes of power that this chapter will explore.
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Lady Macbeth and Othello, Convention and Transgression in Early Modern Tragedy,arkness to assist her, and to ‘unsex’ her (1.5.39), and in her persuasions of her husband to murder she suggests the ultimate female transgression of kinder-mord, swearing that she would have ‘dashed the brain out’ of the smiling and loved ‘babe’ as she breastfed (1.7.54-9).
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