Titlebook: Spaces of Surveillance; States and Selves Susan Flynn,Antonia Mackay Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 surveil

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Introduction, from established surveillance scholars, such as David Lyon, and points to further theoretical frameworks employed in the collection, such as Gilles Deleuze’s theories of ‘becoming’. This chapter also employs a range of film and literary examples to demonstrate the prevalence of surveillance culture

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Camera Performed: Visualising the Behaviours of Technology in Digital Performanceion as they are conceived in art. Addressing the space of surveillance that contemporary technologies create, it examines the webcam and its attendant meanings for surveillance. It considers a metaphorical and social deconstruction of the webcam in contemporary art practice. It also challenges the n

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‘She’s not There’—Shallow Focus on Privacy, Surveillance, and Emerging Techno-Mediated Modes of Beinontinues to grow more intriguing and threatening. Ethical notions of artificial intelligence (AI) and cybernetic threats to the human indwelling of being have been a topic of mythic, literary, and filmic inquiry from ancient global creation myths to tomorrow’s multiplex film. Hollywood has expressed

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Surveillance in , Terrorism, Space and Identitythrough engagement with the works of Thomas Mathiesen (Theoretical Criminology 1(2): 215–234, 1997) and Michel Foucault (Discipline and punish: The birth of the prison. Penguin, London, 1991), as well as military surveillance theorists, considers the multiple scopic regimes evident in Bigelow’s fil

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To See and to Be Seen: Surveillance, the Vampiric Lens and the Undead Subjectm ‘vampiric’ surveillance. Pramod K Nayar in . . . (.) links continual surveillance, with specific reference to CCTV and visual observation, directly to identity formation so that one’s sense of self is directly related to the acts of seeing and being seen. Christopher Slobogin states that the “inev

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Participating in ‘1984’: The Surveillance of Sousveillance from , to Right Now what I call the “surveillance of sousveillance”’ if we trace how those technologies have developed into our cultural moment now. Surveillance—being constantly monitored by “eye-in-the-sky” technology—today is now reciprocally complicated by what Steve Mann has termed sousveillance—monitoring back t

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