Titlebook: Space, Gender, and Memory in Middle English Romance; Architectures of Won Jan Shaw Book 2016 The Editor(s) (if applicable) and The Author(s

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Book 2016n, the operation of individual and collective memory, and the legacies of patrimony. Melusine emerges as a complex figure, representing a multifaceted feminine subject that furthers our understanding of Middle English women’s sense of self in the world..

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Introduction,der hierarchies that historically limited their full participation in social and cultural life. The “Introduction” also provides a useful literary review of past and recent scholarship and concludes with a discussion of the differences between the Middle English and French versions of the tale.

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Chapter 4 Architectures of Memory, argues that . functions as a memory machine, requiring the audience to participate in the memory-making function. Contrary to prevailing cultural expectations, the memory the audience is asked to continually re-inscribe in their memory stores is a celebration of the matriline.

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Chapter 5 Problematic Pasts and New Beginnings,ovement away from patrilineal legacies; all three gesture toward the need to cut with the patrilineal past in order to negotiate a different path to the future. Moreover, in . the hybridity of the sons realigns ideas about alterity, highlighting the process of “othering” as a political act rather than an inherent state.

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Conclusion, mutuality of trust and a continuing cycle of exchange and negotiation between the sexes, all within a context that acknowledges the value of difference. The text of . encourages audience participation through recollection, reflection, and the acknowledgment of individual difference.

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https://doi.org/10.1057/978-1-137-45046-3Medieval; Middle English Romance; Melusine; Gender Studies; Memory Studies; antiquity; Colonialism; culture