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Titlebook: Space, Gender, and Memory in Middle English Romance; Architectures of Won Jan Shaw Book 2016 The Editor(s) (if applicable) and The Author(s

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书目名称Space, Gender, and Memory in Middle English Romance
副标题Architectures of Won
编辑Jan Shaw
视频video
概述Fills a much-needed scholarly gap for Melusine, a work that has been under-explored up until now.Approaches Melusine through several theoretical discussions including spatial, gender, and memory theor
丛书名称The New Middle Ages
图书封面Titlebook: Space, Gender, and Memory in Middle English Romance; Architectures of Won Jan Shaw Book 2016 The Editor(s) (if applicable) and The Author(s
描述This book offers a much-needed consideration of .Melusine. within medieval and contemporary theories of space, memory, and gender. The Middle English .Melusine. offers a particularly rich source for such a study, as it presents the story of a powerful fairy/human woman who desires a full human life—and death—within a literary tradition that is more friendly to women’s agency than its continental counterparts. After establishing a “textual habitus of wonder,” Jan Shaw explores the tale in relation to a range of Middle English traditions including love and marriage, the spatial practices of women, the operation of individual and collective memory, and the legacies of patrimony. Melusine emerges as a complex figure, representing a multifaceted feminine subject that furthers our understanding of Middle English women’s sense of self in the world..
出版日期Book 2016
关键词Medieval; Middle English Romance; Melusine; Gender Studies; Memory Studies; antiquity; Colonialism; culture
版次1
doihttps://doi.org/10.1057/978-1-137-45046-3
isbn_softcover978-1-349-68754-1
isbn_ebook978-1-137-45046-3Series ISSN 2945-5936 Series E-ISSN 2945-5944
issn_series 2945-5936
copyrightThe Editor(s) (if applicable) and The Author(s) 2016
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Introduction,presentation is evidence of the difficulties real medieval women faced in negotiating the day-to-day tensions between ideals and reality. Melusine’s fairy nature is presented as a strategic choice to enable a full consideration of the agentive possibilities of women, without invoking traditional gen
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Chapter 1 An Epistemology of Wonder,uct a taxonomy of being that destabilizes entrenched hierarchies of gender. At first glance this taxonomy appears to tap into the prevailing cultural narratives of alterity, which work to ontologically negate the “other” (gender, cultural, racial, religious others, and so on), but it reworks the hie
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Chapter 4 Architectures of Memory,iline, the tale of . takes a different path, memorializing the mother and the horizontal connection between sisters. The memorial spaces in . gesture toward the structures of learned monastic culture, particularly the architectural mnemonic. Drawing on Mary Carruthers’s work on medieval memory, Shaw
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