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Titlebook: Sounding Indigenous; Authenticity in Boli Michelle Bigenho Book 2002 Palgrave Macmillan, a division of Nature America Inc. 2002 globalizati

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The Indigenous Work and Its Authorship,ento Legal, Potosí, Social Research and Legal Advising, Potosi). The agenda of the meeting was filled with discussions of specific projects—potable water, land recuperation, canal construction, and so on. The discussion of a cassette production was added to the agenda at my request. I had produced a
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Codas, ,, and , Incas to protect against invasions (Wara Céspedes 1993), the name “Pacha” invoked all the expansiveness of both space and time of the Andean world. The makeover consisted of more than a change of names. In their transformation, the ensemble went to Los Angeles and recorded a CD of their classic the
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Book 2002tion of authenticity in relation to music, through its combined focus on different kinds of Bolivian music (indigenous, popular, avant-garde), through its combined focus on music performance and the Bolivian nation, and through its interpretation of local, national, and transnational fieldwork experiences.
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The Indigenous Work and Its Authorship,tire Yureño cassette production. Although my fieldwork in both Yureño and Toropalqueño contexts indeed revealed an association of individual composers with specific compositions, Yureños and Toropalqueños seemed to favor the presentation of these materials under the name of a collectivity.
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What Makes You Want To Dance,strong distaste for this music—Colombian, Mexican, or even the locally modeled sound-alikes—was often framed in terms of a sonorous invasion of Bolivian territory. Cumbias had seeped into Bolivia, and according to some people this music was seen as polluting the sonorous environment, clogging radio waves, social contexts, and public spaces.
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Book 2002ganization involved in musical activities, by a music performing ensemble, and by the people living in two rural areas of Potosi. Based on research conducted between 1993 and 1995, the book frames debates of Bolivian national and indigenous identities in terms of different attitudes people assume to
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