Titlebook: Sound Practices in the Global South; Co-listening to Reso Budhaditya Chattopadhyay Book 2022 The Editor(s) (if applicable) and The Author(s

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Youmna Saba,ld furniture), a collaboration with Fadi Tabbal from Tunefork Recording Studios, which had started to take shape back in 2006. Min Aafesh el Beit is a six-track album that resulted from the combination of her songs with experimental ‘bricolage’ of sounds and toy instruments. Year 2011 has seen the r

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Mariana Marcassa,d landscape. Since 2017, she has been living and working in Tiohtià:ke/Mooniyaang/Montreal where she has been developing a theoretical and practical approach to sound and voice explorations, and the creation of experimental listening techniques. She works with individuals and groups, in private or a

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,Amanda Gutiérrez,d performance art to investigate how these aural conditions affect everyday life. Gutierrez is actively advocating listening practices while being one of the board of directors of the World Listening Project, formerly working with the Midwest Society of Acoustic Ecology, and currently as the scienti

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Abdellah M. Hassak,ital technologies, computer coding for processing and sound interactivity. His work focuses on the cultural and artistic heritage, the traditional cultures, and the use of new technologies to facilitate communication. In his practice, he tries to connect tradition and technology to create spaces of

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and theory from the ground up.Locates decolonial resistance .This book develops a comprehensive understanding of the unique sound worlds of key regions in the Global South, through an auto-ethnographic method of self-reflective conversations with prominent sound practitioners from South Asia, Africa

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