Titlebook: Social Class and Television Drama in Contemporary Britain; David Forrest,Beth Johnson Book 2017 The Editor(s) (if applicable) and The Auth

Macronutrients

insights into the national conversation around class and ideThis collection is a wide-ranging exploration of contemporary British television drama and its representations of social class. Through early studio-set plays, soap operas and period drama, the volume demonstrates how class provides a bridg

抱狗不敢前

prolate

Altitude

Intruder

Cantankerous

Conflagration

Searching for Hugh Gaitskell in a Neoliberal Landscape – Masculinities and Class Mobility in ,identities and social class trapped in a limen – a trope that the series plays from with its time-travel device. The men in the series, far from ‘buying’ neoliberalism’s self-corrective responsibilisation, are far from ‘responsibilised’, or even responsible and yet are compelled by politics and social shifts towards class mobility.

ADJ

,: Compassion, Evil and Exploitation in an Ordinary ‘Trouble Town’lose analysis of the series . (BBC 2014–) with a particular focus on the moral positioning of its central character, Catherine Cawood, and her role in policing the wider community of a ‘troubled town’. It also explores how this drama reworks one of the more powerful, traditional tropes of the detective story.

curriculum

Twenty-First Century British Sitcom and ‘the Hidden Injuries of Class’s chapter argues that sitcom remains one of the most astute chroniclers of the reality of class in modern Britain. Drawing on a range of sitcoms from the last decade, it will demonstrate that ‘the hidden injuries of class’ cut deeper in a culture of class denial.

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