Titlebook: Silencing Cinema; Film Censorship arou Daniel Biltereyst,Roel Vande Winkel Book 2013 Palgrave Macmillan, a division of Nature America Inc.

尊重

Film Censorship in Germany: Continuity and Change through Five Political Systems did not end with the . of East Germany to the Federal Republic in 1990 when the Cold War saw losers and winners.1 All the five systems of political rule in Germany were confronted with alternatives and felt a strong need to protect their principles against “the enemy” inside and outside the country

Memorial

Seeing Red: Political Control of Cinema in the Soviet Unionay controlled by the Holy Synod, the department of state that had replaced the independent Patriarchate of Moscow and been established by Peter the Great when he had integrated the Russian Orthodox Church into the imperial administrative structures in 1721.

乞丐

Prohibition, Politics, and Nation-Building: A History of Film Censorship in Chinanese cinema, it is even more crucial to view the developments of the Chinese film industry and the evolution of the film censorship apparatus against the backdrop of major political events and regime changes in the last century.1 As a new formof massmedium, themotion pictures were introduced into Ch

meritorious

excrete

The Censor and the State in Britain” and an “independent, self-financing regulator.”1 Meanwhile the Board’s . calls the organization an “independent, non-governmental body.”2 Matters are made even more complicated by the fact that the BBFC changed its name from the British Board of Film Censors in 1985, but still carried on censoring

Culpable

British Colonial Censorship Regimes: Hong Kong, Straits Settlements, and Shanghai International Settapparent and was quickly recognized. Censorship of theatrical productions existed in many places, however, the need and impetus to censor the cinematograph evolved as authorities grappled with the power and potential of the medium. In colonial territories, censorship was an important tool of control

大包裹

尊严

instate

Nollywood, Kannywood, and a Decade of Hausa Film Censorship in Nigeriac low-budget film industry based in Africa’s most populous country. Turning out over a thousand feature films a year, the Nigerian film industry relies mostly on digital video technology and “straight to video” releases, which are sold on DVD and video CD in the informal economy of the west African

狼群