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Titlebook: Silencing Cinema; Film Censorship arou Daniel Biltereyst,Roel Vande Winkel Book 2013 Palgrave Macmillan, a division of Nature America Inc.

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British Colonial Censorship Regimes: Hong Kong, Straits Settlements, and Shanghai International Settgraph evolved as authorities grappled with the power and potential of the medium. In colonial territories, censorship was an important tool of control often assigned to the police in order to maintain public order and to minimize the screening of representations perceived to be harmful to the native populations.
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“We do not certify backwards”: Film Censorship in Postcolonial Indiarked by a series of censorship controversies and protracted legal wrangles.1 Although mainly restricted to manifest censorship of popular Hindi cinema produced by the Bombay film industry, I shall also make occasional references to regional cinemas and new wave, art, and documentary films.
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Film Censorship during the Golden Era of Turkish Cinema major pastime and a significant site of identity formation and negotiation. Thousands of film censorship reports, which constitute the primary source material in this chapter, reveal that the Turkish state, too, conceived cinema as a powerful, even rival, discursive domain where various social identities and meanings were produced and circulated.
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2634-5951 s, the book offers groundbreaking historical research on film censorship in major film production countries and explore such innovative themes as film censorship and authorship, religion, and colonialism.978-0-230-34081-7978-1-137-06198-0Series ISSN 2634-5951 Series E-ISSN 2634-596X
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Inquisition Shadows: Politics, Religion, Diplomacy, and Ideology in Mexican Film Censorshipiel Veyre) was shot—to reconstruct a duel between two deputies—the press was outraged and argued that cinema should not be used for “distortions” and, especially, should not be used to “trick” audiences. This triggered a string of controversies, which eventually led to the intervention of authoritie
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