Titlebook: Shifting Corporealities in Contemporary Performance; Danger, Im/mobility Marina Gržinić,Aneta Stojnić Book 2018 The Editor(s) (if applicab

ALLAY

SPASM

Countering Persecution, Misconceptions, and Nationalism: Roma Identity and Contemporary Activist Arthanisms of systematic oppression, murder, and discrimination. At the same time, these bodies have been and continue to be marginalized within the sphere of art. My contribution to this volume highlights the art and activist works of two artists of Romani descent who point to and inhabit those bodies

聪明

Performing Ideology: Communitas and Immunitasneoliberal world rather than contemporary (performing) arts. I find these protests that gathered the precarious and outraged—from Spain and Greece, over the US, to the UK, Slovenia, Bosnia and Herzegovina, Turkey, Portugal, etc.,—a challenging point of departure, exactly since they have often been c

abstemious

肌肉

The Mascot as Neoliberal Body: Kris Verdonck’s UNTITLEDcome replaceable or superfluous. Companies grow and increase their profits by employing fewer people in a less qualitative way. Such is the tragedy of neoliberal times: work has never been so important in defining our identity, and yet the quality of jobs and their connection to personality is decli

引水渠

现代

The Appearance of Truth in Art: Body, Subjectivation and the Generic Lifensic presupposition of a human/social emancipation in and by arts. My aim is to follow the path of this “Marxist” maxim in Badiou’s conceptual approach via “early” Marxist theoretical accounts, and to try to develop a (maybe not “revolutionary New,” but still practically effective) mode of thinking

START

SAGE

Disciplining as a Human Sciencehuman creations, they come into the world, enjoy some vibrancy, decay, and die. A “living discipline,” I will argue, is animated by a form of humility: that its methodological resources reach to reality but do not capture, colonize, or constrain it. Forgetting this leads to disciplinary practices of

EVADE