书目名称 | Shakespeare’s Visual Regime | 副标题 | Tragedy, Psychoanaly | 编辑 | Philip Armstrong | 视频video | | 图书封面 |  | 描述 | Can postmodern accounts of the gaze - deriving from the psychoanalytic theories of Freud, Lacan, Fanon, and Riviere - tell us anything about those structures of vision prior to, and repressed by, modernity? Shakespeare‘s Visual Regime examines the tragedies, histories, and Roman plays for an emergent early modern spectatorial subject, thereby locating Shakespearean theatre within those discourses most crucial to the contemporary exposition and disruption of regimes of vision: perspective painting, cartography, optics, geometry, Puritan anti-theatrical polemic, and the occult. | 出版日期 | Book 2000 | 关键词 | Hamlet; King Lear; novel; pain; psychoanalysis; theatre; William Shakespeare; British and Irish Literature | 版次 | 1 | doi | https://doi.org/10.1057/9780230288874 | isbn_softcover | 978-1-349-41835-0 | isbn_ebook | 978-0-230-28887-4 | copyright | Philip Armstrong 2000 |
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