Titlebook: Shakespeare’s Surrogates; Rewriting Renaissanc Sonya Freeman Loftis Book 2013 Palgrave Macmillan, a division of Nature America Inc. 2013 Ge

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,“A MOTHER’S WOMB IS NOT A ONE-WAY STREET”: Reentering the Shakespearean Womb of ,top reopening, and the wombs they cannot stop reentering. . is a text that constantly comments on its own primal scene, relentlessly reminding the reader of its Shakespearean genesis. The cannibalization to which the play subjects its Shakespearean source is every bit as violent as the fury the play

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,“Blaming the Bard”: Shaw, Shakespeare, Shotover,ting Shakespeare. Rewriting the past, it would seem, is a superior Shavian weapon. Indeed, . represents the climax in a lifetime spent speaking for the literary dead, a culmination in Shaw’s ongoing attempts to present himself, both in his criticism and in his drama, as a cultural surrogate for Shakespeare.

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nd Unbeständigkeiten. Zahlreiche Modelle befassen sich mit der Frage, welche Kompetenzen und Fähigkeiten im 21. Jahrhundert benötigt werden, um diesen Herausforderungen zu begegnen. Selbstgesteuertes Lernen und Kollaboration werden als Schlüsselkompetenzen für den digitalen Wandel angesehen. Vor die

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