Titlebook: Shakespeare‘s Cross-Cultural Encounters; Geraldo U. Sousa Book 1999 Palgrave Macmillan, a division of Macmillan Publishers Limited 1999 cu

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fetter

,‘The Uttermost Parts of Their Maps’: Frontiers of Gender,such material sheds light on the Greek and Roman character. Likewise, I propose that Amazons provide a worthwhile point of departure for a study of cross-cultural encounters in Shakespeare. Through these figures, Shakespeare takes us to the frontiers of culture and gender and introduces cultural difference as a form of gender difference.

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Definitive

Habitat, Race, and Culture in ,nd English societies in the first tetralogy. In this chapter, I will argue that in ., Shakespeare seizes the uniquely Elizabethan construct of the Egyptian identity as a composite of ancient Egyptian culture and habitat, gypsies, and English vagabonds in order to interrogate his own culture’s understanding of Egyptians and Romans.

exquisite

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Joan of Arc, Margaret of Anjou, and the Instability of Gender,on of gender boundaries between male and female as a metaphor for cross-cultural differentiation, but in the history plays French gender instability becomes an urgent threat to English national and cultural identity.

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Joan of Arc, Margaret of Anjou, and the Instability of Gender,hrist. There is neither Jew nor Greek, there is neither bond nor free, there is neither male nor female: for ye are all one in Christ Jesus’ (Gal. 3.27–8). As we will see below, Paul provides the theological justification for the transvestism of such religious figures as Joan of Arc. But if religion