Titlebook: Shakespeare; Seven Tragedies E. A. J. Honigmann Textbook 1976Latest edition Macmillan Publishers Limited 1976 Britain.history.history of li

出血

Response and Dramatic Perspective,sleep from the concern which he felt on account of ‘This sad affair of Baretti,’ begging of him to try if he could suggest any thing that might be of service; and, at the same time, recommending to him an industrious young man who kept a pickle-shop.

rheumatism

带子

Hamlet as Observer and Consciousness,ed with his first mature tragedy, and that he went over the same ground again because he recognised, too late, that he had not made the most of it. Advancing from Brutus to Hamlet he must have pondered many of the fundamental questions of tragedy — not least, I think, the tragic hero’s relations wit

滴注

Secret Motives in ,t with motives of which he himself remains unaware or, worse still, with impulses that contradict his stated motives, is, we are told, to confuse two different modes of being: a dramatic character has no past and no inwardness corresponding to yours or mine As I have already argued, these are slippe

exostosis

,Lear’s Mind,th the hero (‘we see not Lear, but we are Lear’), this will be less true of our experience in the theatre than when we are readers, as Lamb acknowledged: ‘to see an old man tottering about the stage with a walking-stick, turned out of doors by his daughters in a rainy night, has nothing in it but wh

Expediency

: the Murderer as Victim,d in 1823 and still regarded as an anthology-piece. Important for its recognition of a major critical task, De Quincey’s essay fails, I think, as an explanation of the effect of one of Shakespeare’s greatest scenes — yet, right or wrong, it raises questions about response that are still worth asking

言外之意